Novel writing software that keeps the whole story in view.

A novel is too long to work on comfortably as one document. In Wryte every chapter and scene has its own place in the sidebar, so you can move a scene by dragging it, and open just the one you’re writing.

Start with chapters, scenes and sketches.

The Novel template opens with a chapter and a first scene in the Manuscript, and Research folders for characters and places, plus a page for loose ideas. The character sketch is a sheet of questions (what they want, what stands in their way, how they change) to duplicate for each new character.

Novel template

Manuscript

  • Chapter One
    • Scene OneWhere it all begins.

Research

  • Characters
    • Character SketchDuplicate this sheet for each new character.
  • Places
    • Setting SketchDuplicate this sheet for each new location.
  • IdeasLoose threads, what-ifs and fragments.
How a new Novel project starts. Faded items are notes that stay out of the book.

Character Sketch

  • Name:
  • Role in the story:
  • Physical description:
  • Personality:
  • What they want:
  • What stands in their way:
  • How they change:
The character sketch every Novel project starts with.

⌘1 ⌘2 ⌘3

A card for every scene.

Lay a chapter out as index cards to see all its scenes at once. Colour each card by point of view, give it a status, and drag it to a new place in the chapter. Then switch to Read Through to read the chapter as one text.

The Weight of Small Boats / Manuscript / The Slipway

Show the chapter as

The Slipway

The tide had gone out further than Nell had ever seen it, as if the whole channel had drawn a breath and was holding it.

Her father’s dinghy lay on the slipway with its bow turned to the town. Someone had hauled it up past the weed line and chocked it with two bricks, neatly, the way you’d leave a thing you meant to come back for. The oars were gone. So was the name.

She crouched by the transom. Where Margaret had been, in her father’s careful white capitals, there was a square of fresh grey paint, still tacky under her thumb.

‘You’ll leave a print,’ said a voice behind her.

Nell didn’t turn round. She knew the voice, and she knew that Ruth Calloway had been standing there long enough to watch her decide whether to cry.

‘Who painted it?’

‘Not me.’ Ruth’s boots came down the ramp, slow on the green boards. ‘Found her drifting off Bruny on Thursday. Oars shipped. Nobody aboard.’ A pause. ‘I’m sorry, love.’

The water, a long way off, made a small sound against the rocks, the sound of something being put down carefully.

Nell pressed her thumb into the grey paint until it came away clean, and under it, faint as a vein, a letter that wasn’t an M.

Ruth kept the harbour office the way other people kept a diary: every boat in, every boat out, the weather in the margin. Nell had grown up reading it upside down across the desk.

Thursday’s page said only Margaret, found adrift, 7.40 a.m., towed in. The handwriting was steady. The ink was not quite the same blue as the rest.

‘You wrote this later,’ Nell said.

Ruth closed the book. ‘I wrote it when I had time.’

It took the whole afternoon and most of a tin of stripper. The grey came off in soft curls, then her father’s white, then a blue she’d never seen on any boat of his.

The second name was shorter. Four letters, done by someone in a hurry, the last one trailing off the edge of the plank.

She sat back on her heels and read it twice, and then she went to find a phone.

Tom came off the last ferry with one bag and the look he’d worn since he was nine, the look that said whatever this was, it had started without him.

‘Two days,’ Nell said.

‘The roads were shut.’ He looked past her at the slipway. ‘Is that her?’

‘That’s her.’

He didn’t go down. He lit a cigarette instead, cupping it against a wind that wasn’t there, and Nell understood that he had already decided not to be sorry about anything until he’d been told what it was.

They made the list on the back of a tide table, because it was the only paper in the shed.

One oar, the left. One oilskin coat, the old yellow one. The good torch. Their father’s reading glasses, which he never took out on the water.

‘That’s not missing,’ Tom said, when she wrote the last line. ‘That’s just something you think.’

She left it on the list anyway: one lie.

  1. Low tide

    Revised Draft

    Nell finds her father’s dinghy hauled up on the slipway with its name painted out.

    Nell218 words

  2. The harbourmaster

    First Draft

    Ruth says the boat was found drifting off Bruny Island, oars shipped, nobody aboard.

    Ruth77 words

  3. Paint

    First Draft

    Scraping the hull, Nell finds a second name under the first.

    Nell75 words

  4. Last ferry

    First Draft

    Tom arrives two days too late and not the least bit sorry.

    Tom88 words

  5. Inventory

    In Progress

    They list what’s missing from the shed: one oar, one coat, one lie.

    Nell71 words

  6. What Ruth knows

    To Do

    Ruth recognises the second name, and changes the subject.

    Ruth0 words

  7. 1987

    To Do

    Their father, young, rows out to meet a boat that isn’t on any chart.

    Flashback0 words

  8. Night crossing

    To Do

    Tom takes the dinghy out alone, without a light.

    Tom0 words

The Slipway: scenes with synopsis, status and word count
TitleSynopsisStatusWords
Low tideNell finds her father’s dinghy hauled up on the slipway with its name painted out.Revised Draft218
The harbourmasterRuth says the boat was found drifting off Bruny Island, oars shipped, nobody aboard.First Draft77
PaintScraping the hull, Nell finds a second name under the first.First Draft75
Last ferryTom arrives two days too late and not the least bit sorry.First Draft88
InventoryThey list what’s missing from the shed: one oar, one coat, one lie.In Progress71
What Ruth knowsRuth recognises the second name, and changes the subject.To Do0
1987Their father, young, rows out to meet a boat that isn’t on any chart.To Do0
Night crossingTom takes the dinghy out alone, without a light.To Do0
8 scenes529

A sample novel, written for this page. In Wryte, the same three views work on any folder.

Keep track of everything else.

  • Tags for characters and places, so you can find every scene Ruth is in.
  • Links with [[ from a scene to a character sketch, and back again.
  • Checkpoints (⌘5) before you take a chapter apart, so you can always go back.
  • A daily goal and a manuscript goal, with a writing history and streaks.
  • Focus Mode (⇧⌘↩) to hide everything but the page you’re writing.

⌥⌘E
Export

When the draft is done.

Export a Submission manuscript for agents in standard format, a Paperback PDF at a trade size, or an Ebook with your cover. Send your editor only what’s changed, as tracked changes in Word.

How to outline a novel, one card at a time

Standard manuscript format, explained

Wryte’s Export sheet with the Submission choice selected, previewing the manuscript in standard format.
Export with Submission chosen.

Already have a draft?

Bring it in from Word, RTF or plain text, and carry on.

Get Wryte for Mac

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